The mood slowly softens but a difficult melody is quickly established. The theme is repeated but with the broken chords accompanying the melody. The first part starts simply but playfully. The third movement, a sonata-rondo, shows much similarity to the first by chord pattern and by music phrases. Problems playing this file? See media help. This new dating also fits stylistic criteria. 425, when the Mozart couple made a stopover in Linz on their way back to Vienna from Salzburg. On the basis of Mozart's script, Plath assigns the piece to the time around 1783/84, 'likely not long before the appearance of the first print.' Furthermore, Tyson convincingly demonstrates through paper tests that the work was composed at the end of 1783, likely in November, around the same time as the 'Linz Symphony', K. More recently, this date has been invalidated by the findings of Wolfgang Plath and Alan Tyson. Thus Köchel, in the first edition of his Mozart catalog (1862), gave the hypothetical date 1779, later clarified by Georges de Saint-Foix (1936) to ' Salzburg, beginning of January–March 1779.' However, Alfred Einstein, in the third edition of the Köchel catalog (1937), said it was composed in 'late summer 1778 in Paris.' This date was maintained even until the sixth edition of the Köchel catalog (1964).

Because the manuscript is not written on the type of music paper Mozart is known to have used in Vienna, scholars believed the piece was composed before Mozart moved to said city. The actual date of composition, however, has proven more difficult to determine. There is no doubt the sonata was first published on 21 April 1784 in Vienna by Christoph Torricella (along with K. 333 / 315c, was composed by Wolfgang Amadeus Mozart in Linz at the end of 1783. Three ( Allegro, Andante cantabile, Allegretto grazioso) The young composer, a 1777 copy of a lost painting

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